Hamish Guerrini: white rabbit, wedding bard and celebrant. Hamish explains how he uses ritual and innovation, creating magical spaces within weddings and festivals.
By Ace Volkers
Ritual is a very important part of my life, in an entirely non spiritual sense. There’s something about framework, tradition and process that have the ability to pull me more entirely into the present. That level of focus and care is a way of being that feels like something more than just bouncing from one sensation to the next. And when those frameworks, traditions and processes are amplified and acted out in a group setting, I find that a heightened ability to connect with others and sense of euphoria normally ensues.
Role play and costume form an important part of the rituals of my summers. When my husband and I were planning our wedding last year I began by focussing on the components of those rituals, equally the symbols of our relationship. It was then that it occurred to me that ritual had always been an important part of our relationship. So many of our best adventures had been highly ceremonial. I think we got to know each other by creating the rites of our own personal belief system together, our way of being in the world with one another.
It made perfect sense for Hamish Guerrini to marry us. Many a summer had we spent twirling around in our field-worthy regalia at the heart of his Glastonbury wonderland. I still get goosebumps when I think about the magic that he spun for us. I could go on and on, but luckily I don’t have to, because here we have Hamish Guerrini himself, in an exclusive for Bane + Antidote on the topic of ‘Modern Ritual’.
Visit Hamish’s website to learn more about his incredible work.
Tell us what you do Hamish.
I perform wedding ceremonies for couples who don’t want a church wedding, and want something alternative to a civil ceremony. My ceremonies are light, straightforward and often quite short. I recognise the need for depth and gravitas and try to hold the space with respect, but I also inject a good helping of humour to soften the corners!
What is your philosophy?
My philosophy is very much of the perennial type, embracing all religions in the belief that we all came from one place and we are all returning to that place.
How did you first become a celebrant?
It was kind of by accident. I helped the mighty Druid master Ivan Macbeth construct the White Stones of Hascombe. It’s the biggest stone circle to have been constructed using the old methods since 3000 BC. My job was to entertain the 100 strong workforce and keep the spirits up with amusing and uplifting songs! At the end of the year long process I wrote an Inauguration Ballad, then Ivan Macbeth honoured me by naming me Bardic Druid at a summer sunrise ceremony in the middle of Stonehenge. Being a Bardic Druid allows me to write poems, songs and perform ceremonies like weddings and namings.
Why do you do what you do?
I am a strong believer in the institution of marriage as a force for good in the world, and I enjoy helping couples realise their dreams.
Are all the couples you marry spiritual?
Everyone has differing spiritual thresholds. I have incorporated Catholic, Buddhist and even atheist elements into ceremonies. This diversity is not always for the couple themselves, but also for close relatives who might otherwise feel excluded or weirded out by ‘fluffy new age clap trap’!
What is ritual to you?
Ritual is the framing of a ceremony, it’s a hanger on which the deeper content is hung. I was raised by Jesuits and Benedictines who know a thing or two about ritual and I still love to go to Latin Mass and Benediction for the sheer intensity of the form and beauty of the chanting.
Tell us about the importance of ritual in wedding ceremonies.
There is need for focus and theatre in any social gathering. It has a containing effect and sets people at their ease, especially when it is explained that there will be a clear beginning, middle and end.
How important is the wedding ceremony for the quality of the celebration that follows?
The ceremony sets the tone for the entire day. I bring the family and friends together, and try invoke in them the spirit of generosity and love for the two people in their midst, who are about to embark on the greatest of adventures. The most important part of the whole ceremony is the collective agreement that everyone present is gathered, not only to witness the promises made, but also to give their own vow to support and encourage the couple in sticking to their promises, come what may. It is the instigation of a new tribe.
Is there a ritual that you always use to marry people?
What I tend to do is use the ancient British Druidic form, inviting the guests to form a semi-circle surrounding the couple. Then it’s time for readings, poems and songs from friends and relatives. The rings are sent around the gathered guests in a bowl of holy water, and blessings for the couple are spoken. Then the rings are exchanged, and I often ask the couple to jump over a yew staff, which represents the two individuals jumping over the hearthstone into their new home of marriage.
Do the rituals you use to marry people come from you or from the couple?
We have meetings beforehand and discuss the couple’s life together and the elements they want to include in their ceremony. I am sometimes asked to write a poem to encapsulate their story, so quite in depth research is often needed.
Have you noticed a change in the way that people use ritual over the years?
Yes. More and more people have a pick’n’mix approach to religion and spirituality. I don’t see this as a disadvantage, indeed it seems to me that mankind has been picking-and-mixing since the dawn of thought. Each religion assimilates and absorbs prior ones, bringing messages and traditions forward to suit new needs. The story of the First Council of Nicaea illustrates this well.
How can people work ritual into their everyday lives?
Work, play, coffee, pubs, music, films… They can all be undertaken ritually
Is there a place for ritual within hedonism?
I don’t think the two are mutually exclusive. At the rabbit hole, a venue I run at Glastonbury Festival, there is an intricate system of initiation and revelation. It’s all a part of a ritualistic theatre setting designed to deepen the festival experience, which can easily become an empty and two-dimensional hedonistic affair. Interestingly, recent archeological research has uncovered evidence of thousands of years of crowded dancing at Stonehenge. The priest and the party have always gone hand in hand it seems.
Can parties be ritualistic in themselves?
Raves, gigs, dinner parties, weddings… They all need a framework – an ordered map of spoken and unspoken rules.
If you want Hamish to marry you, visit www.hamishguerrini.co.uk.